Need some local flavour to spice up your music playlists? Discover the Singapore sound from the city’s freshest music exports with Local Vocal, our bi-weekly music series. Here, we spotlight the latest and hottest tracks from Singapore’s breakout singer-songwriters, veteran bands, multi-hyphenated producers, and other audial ambassadors of the local music scene. Expect indie bops, pop bangers, dance anthems, hip-hop beats, R&B hits, and genre-mutating tunes that deserve more airplay. Think the music scene here isn’t vibrant enough? We beg to differ.
RECOMMENDED: 50 best local songs to have in your music playlist and 8 local musicians that should be on your radar in 2021
What we’ve played
1. Tetris by Jasmine Sokko
The devil works hard but Jasmine Sokko’s manager works harder. The MTV EMA-winning singer-songwriter-producer triple threat is the first Singaporean artist to be featured on Spotify’s Equal playlist cover and the New York Times Square outdoor billboard. Spotlighting Singapore on the global stage, Jasmine is back with a soft, futuristic electro-pop single Tetris, another preview of her upcoming EP which is slated for a September 2021 release. Inspired by the tile-matching video game of the same name, the single radiates with the singer’s dulcet tones, brilliant synths, and four-to-the-floor rhythm patterns.
About the song, she shares: “The song is a celebration of the eccentrics, the outliers and the mavericks who are unapologetically themselves in a society that often craves for assurance, acceptance and attention.”
2. Fantasy by Dnl. featuring Axel Brizzy
Joining forces with rapper Axel Brizzy, multi-hyphenated artist Dnl. translates his wishful thinking into a buttery summer bop titled Fantasy. The single is one of the many creations in the works that are set to be rolled out later this year, and features Dnl.’s triplet flow over a euphonic combo of bass-heavy loops and shimmering synths. Axel’s solid bars push the mellow track even further by toying with pop references, rhyme patterns and speed. It mirrors the highs of euphoric fantasy. And as Dnl. puts it – it’s “a piece that would resonate with any hopeless romantic soul out there.”
3. I Swore I’d Stop Writing About You by Jaime Wong
After a six-year hiatus, singer-songwriter Jaime Wong returns with a new bass-driven single which is taken off her forthcoming EP. A bold departure from the theme of her debut self-titled EP, I Swore I’d Stop Writing About You experiments with different sounds and textures (read: bass, reverb and distortion) while retaining her DNA of warm, folk-esque vocals and acoustic guitars. The break-up song doesn’t just wallow in heartbreak, but instead, accepts and sees things the way they are. It also reflects Jaime’s mental conflict of constantly writing about the same old, same old.
“It came to a point that I completely stopped writing songs just to avoid that repetition process. Eventually, I stopped thinking and decided to write whatever that came to mind. By doing this, I truly managed to stop writing about the same things over and over again, and this is reflected in the new music I will be releasing as part of the new EP.” Jaime shares.
4. You Like The Chase by Marian Carmel
The perfect song to waltz solo around your bedroom, Marian Carmel’s latest soulful jam touches on the complexities of relationships and heartbreaks. Complete with the singer-songwriter’s ethereal vocals, You Like The Chase juxtaposes the light, airy front with a darker, inflamed undertone. Instead of the pensive sadness that’s peppered in her previous melancholic tracks, the single reveals Marian’s playful and sarcastic side – listen out for her subtle giggles and snide comments.
As the cherry on top, Marian has also rolled out the #WhereDoIBegin challenge on TikTok, where the opening lyrics “Boy oh boy, where do I even begin?” doubles as the punchline for the skit-formatted challenge. You Like The Chase is also one of the singles leading up to her debut concept album that’s slated to be out later this year.
5. Waiting for a Change by QYO
There’s something special about listening to an empowering song full of hope on Pink Dot’s recent livestream. QYO’s live performance of her emotive debut single Waiting for a Change isn’t only fitting for the LGBTQ-affirming event but also pushes us to strive for the change needed to make Singapore a more inclusive nation. The local singer-songwriter and multi-instrumentalist shares that the song “symbolises the changes and challenges that people [herself included] have gone through in life, and how change is best embraced with optimism.”
6. Swiping Right by Eve Alai and Senara
A summertime essential (or a relaxing beach day), Swiping Right has enough calypso vibes to activate our boogie bone. The midtempo, afrobeat-inspired tropical dance anthem sees electronic producer Eve Alai and soulful vocalist Senara serving up a refreshing combo of club euphoria and emotionally honest lyrics. Despite the infectious, endorphin-packed rhythm, the song is actually grounded by profound lyrics that touch on the difficulty of confronting one’s mental and emotional health.
Together with Dinil Gonawela, Eve Alai reflects, “All three of us wrote from the heart about various mental battles and life situations we’ve faced over the years. It’s an honest account of how people have a lot that they have to work through within their own headspace.” He continues, “It’s not easy to write something memorable while maintaining its lyrical integrity.” Nonetheless, the trio manages to turn human fragility into something that’s danceable.
7. Fire In The Sky by Electrico
Showing no signs of slowing down, Electrico celebrates its 25th anniversary with a new EP fresh off B-Sides Live at the Power Station, which treats loyal fans to live versions of songs from their first three albums. Titled Left of the Century, the new EP marks the indie pop-rock stalwarts’ first batch of fresh tunes since their 2008 studio We Satellites. And with the first single Fire In The Sky, we’re still a fan. The arena-ready epic is a slight departure from the crisp alt-pop sounds of the 2000s, but still sets our speakers ablaze with a touch of nostalgia. Maybe it’s vocalist David Tan’s charismatic drawl or the guitar-driven melody that’s giving us Kings of Leon vibes.
Of the new EP, David shares, “Our priorities have changed, and we are doing it without expectations. We want to go back to our roots, to see where we were, and are now.” Left of the Century will be released on July 16.
8. Keep Me Hoping by Bitty
Misery loves company but that doesn’t mean you have to stick to sad songs. Grieve with bass-slappin’ R&B-pop singer Bitty (fka bittymacbeth) in this empowering sonic trip soundtracked by her new single Keep Me Hoping. Unlike the previous synth-pop ditty, this one sees Bitty flexing her producer muscle to seamlessly blend elements of gospel, soul, trap, future bass and pop. She wrote the song after losing the grandfather who raised her, while she was a student at Berklee College of Music, 10,000 miles away from home.
There’s plenty of brassy baritone saxophones, fluty synths and drum machines – triggered by chair and door samples, no less – as well as Bitty’s trademark powerhouse vocals, tight harmonies and songwriting flair to keep spirits up and “keep (us) hoping” – fitting for the current stay-home period. Together with Make My Dreams Come True, which features rapper Axel Brizzy, Keep Me Hoping are part of her upcoming eponymous EP, the first since her rebrand.
9. Milk N’ Honey by Matilde G
The taste of her first previous single Doorbell left us wanting more, and now Matilde G is back to satisfy our sweet tooth with her new summer dance anthem Milk N’ Honey. The Italian-born, Singapore-based 16-year-old pop wunderkind summarises her wanderlust fantasies in the bass-heavy, synth-fronted track with the help of world-renowned producers Caesar and Loui who have previously worked with mega hitmakers such as BTA, Super Junior, Monsta X, and more. The cheeky number also sees Matilde G singing about the itch of wanting to live her life without the limits of growing up. Teenagers, eh?
10. Could Have Been Us by Gareth Fernandez (Feat. Linying)
Soul sensation Gareth Fernandez is back with another heart-wrenching ballad Could Have Been Us. The rich, gospel-style single soars with sublime arrangements and emotionally resonant songwriting. The inspiration is clear here – it oozes the Sam Smith, John Legend and Adele factor. But it’s not just Gareth who’s putting his cards on the table – indie darling Linying joins him in songwriting and lends her hauntingly delicate vocals to the tender piano-led number. Produced with Shaykhandbake, Could Have Been Us revisits heartbreaks one last time before the final goodbye.
11. gone too long by lullaboy
An absolute bop, lullaby’s latest single features a euphonious blend of acoustic elements and unique bass production that adds a refreshing new layer to his signature emotional pop and R&B soundscape. Gone too long is part of the Indonesian-American-raised, Singapore-based singer-songwriter’s upcoming album, which is slated for release at the end of this year. Together with producer Nathaniel Clay, lullaboy spills his personal experience of being in a long-distance relationship, and the main message of hope and trust. The song makes a good company for lonely nights and quiet contemplations.
12. Another You & Me Song by Girls Like Mystery
If you’ve got a soft spot for old-school pop-rock of the 90s and early 2000s (think Green Day), get Shanghai-born, Singapore-based band Girls Like Mystery on your playlist. Another You & Me Song is the third single off the five-piece outfit’s new album Sitting in a Room Surrounded by Strangers. Full of throwback nostalgia, the love song nails the pop-punk formula with Billy Corgan-esque nasally pitch, cheesy lyrics, and loud and distorted electric guitars.
13. I Can’t Sleep by YAØ
We had the pleasure of having this sweet young artist as our March 2019 cover star, and like proud parents, we’re ecstatic to see him taking on the airwaves at the forefront of the next wave of local pop.
Recently signed to Universal Music Singapore, YAØ drops his euphonious self-produced single I Can’t Sleep as a reintroduction under the record label. Previously, the singer-songwriter and producer dished out party starters injected with slick R&B and hip-hop sounds of the now along with funk-infused Japanese pop of the 1980s – think Wish U The Best, RHCF, and Love & City Lights. But I Can’t Sleep doesn’t particularly fit the mould. Taking down a notch, the soothing, soulful ode to everyday anxiety acts as a form of necessary self-care for sleepless souls. Together with the subtle shuffling drum ‘n’ bass heartbeat, the single is pretty therapeutic to listen to, especially with headphones on, if you ask us.
I Can’t Sleep is a first look into his upcoming album Broke Pop Kids, and is also accompanied by a nighttime visual diary complete with dizzying camerawork directed by Jasper Tan of Vadbibes. Read our interview with YAØ here.
14. Revert by Krysta Joy
While singles like Broke and Name Drop have put a spring in our step early this year, it’s songs like Beyond and Revert that make us instant fans of Krysta Joy. Held together by a specially tuned classical guitar, Revert radiates a refreshing sound that’s coined as a “progressive bedroom sound”. No surprise that one of Singapore’s most sought-after producers, Fauxe, had a hand in the electronic-yet organic production of this lite pop track.
Layered with Krysta’s soulful vocals, the earthy tones offer a sort of intimate comfort and honest conversation between singer and listener. It’s a song about the “fear of going back to what feels like square one,” as Krysta puts it. The lyrics deals with the moments of vulnerability – something we’ve all experienced before, making it super relatable especially during these strange times.
15. Make My Dreams Come True by Bitty ft Axel Brizzy
Formerly known as bittymacbeth, the bass-slappin’ R&B-pop singer is back with a fun, tongue-in-cheek bop and a shorter moniker, Bitty. Dreaming on what it’s like to have unlimited cash, Make My Dreams Come True has a hint of sad truth behind it – money makes the world go round, especially if you want to make it big. The happy-yet-sad, synth-pop number also features her signature bass hooks, the super smooth flows of rapper Axel Brizzy and additional production by Jason Gelchen.
Splashing her dollar, dollar bills in technicolour, Bitty is paired with Axel in the single’s equally fun music video. The duo shows their buoyancy side while engaging in “lavish” activities like having fancy cakes and swimming in money at familiar locations like Marina Bay and Tampines.
16. Modern Slaves by Juniper
It’s time to get acquainted with Juniper, starting with her debut single Modern Slaves. For starters, Juniper is a one-woman band – she plays the keyboard, synthesizer, saxophone, bass, and sings. The self-made musician and producer’s penchant for powerful lyrics, hypnotic composition and strong low register denote that she’s a force to be reckoned with.
Like Bitty’s peppy ditty, Modern Slaves centres on money. But unlike Bitty’s, this single delves into the dark side of it, where people slave their souls away for dough. The haunting single hits even harder with a Purge-esque music video complete with masked characters in a dystopian world.
17. Postcard From Waco (Witness) by Alien Anomaly
Another new name in the local music scene, Alien Anomaly came together and created head-banging music during the Covid-19 lockdown. And now the five-piece band is making its mark with Postcard From Waco (Witness). But this isn’t just any other heavy rock – it’s got an introductory voiceover, harmonica, electrifying guitar solo and the story of Jesse Washington.
As the title suggests, the single resurfaces a horrific event in Waco, Texas where the whole town turned up to Jesse Washington hanged, dismembered and burned alive. Photographs of the nightmarish scene were sold as postcards. Even 105 years after Jesse’s death, race and ethnicity continue to play the central role in violence perpetrated by people with power against those without. “The song is about Jesse, but was written in the shadow of the Black Lives Matter movement. The resonance is obvious,” says bassist Rohan Lightfoot.
When restrictions are eased again, look out for a live showcase tentatively in mid-June as part of the Substation Goodbye Garden gigs.
18. summer boy by lewloh
Wearing his heart on his sleeve, lewloh drops a poignant new single summer boy, a teaser of his forthcoming album michigan/missinghim, which is due this, well, summer. Marrying the indie-pop singer-songwriter’s gentle, whispery vocals and modern pop sensibilities, the intimate sonic confession bares it all out to a former lover with lyrics of regret layered over soft acoustic guitars and subtle drums which further intensify towards the end. “I wrote ‘summer boy’ thinking about the finite time you had with someone, and wishing you were easy-going whilst you were in that relationship,” says lewloh.
19. hahaha by Abangsapau
After his breakout 2019 hit Buat Ape?, ABANGSAPAU is back with his first single under Def Jam SEA: hahaha. The 22-year-old, sarong-wearing rapper fires up the track with his signature English-Malay bars, and tongue-in-cheek lyrics (spot additional vocals by rising R&B star Keyana). The single is part of the hip-hop trailblazer’s upcoming album which touches on themes like “family, mental health and the world.” “It’s only the start for a lot more to come,” he adds. Collaborating with Island Boys, ABANGSAPAU embodies the single with a music video that showcases a day in his life as a young rapper – though we’d appreciate more airtime for the sarong.
20. want want by Ffion
Ffion is bopping to the top with a sunny tune that re-introduces the singer-songwriter’s shimmering brand of alternative pop as a newly independent artist. Toying with the idea of infatuation and young love, Ffion lends her beguiling, nuance-peppered vocals – and playful lyrics – to want want’s glossy, synth-filled soundscape. Expect a nostalgia-filled bop that will have you recalling those salad days, crushing a certain cutie from afar. The single is the first of the singer’s many releases lined up this year, which are all tied to the concept of “reconnecting with her inner child”.
21. Bedroom (feat. Anne-Marie) by JJ Lin
Singapore’s Prince of Mandopop JJ Lin teams up with British pop darling Anne-Marie – albeit remotely from their respective cities in Taipei and London – to flex their vocal chops in this emotive piano ballad. Bedroom illustrates the emotional struggles of two heartbroken individuals, and makes for a fitting post-breakup soundtrack. It’s a hidden gem off JJ Lin’s first English EP Like You Do, which was released earlier this year, making it a fresh addition to the Taiwan-based singer’s Mandopop discography. The EP also marks his first English-language project.
22. Why Don’t You Let Go by Tay Kewei
Fit for a quiet moment of contemplation, Tay Kewei’s new English-Mandarin single starts off with some crackling before lulling listeners with acoustic guitars, subtle percussions, a shaker, and her mesmerising voice – after all, the seasoned singer-songwriter was nicknamed the “angel of harmony”. The lyrics here revisit the painful reality of letting go of someone you used to love, but the melody hints at the rainbow that comes after the rain. It’s the first single off the 10-track bilingual album of the same name, which chronicles the different phases of a romantic relationship, from dating and breaking up to being nonchalant about romance.
23. Rise by Axel Brizzy
The hip-hop trendsetter first broke out with Man on a Mission, which features sharp yet choppy flows on top of incredible trap-laced beats. Then he unleashed his inner singer by flexing his vocal chops in Thursday. And now he is back to showcase his versatility and genre-fluidity with heroic new single Rise. Unlike his previous releases, Rise is backed by a take-no-prisoners attitude, with epic orchestral arrangements, pounding bass, as well as signature trap beats and unfiltered bars. It’s the perfect gung-ho soundtrack for the gym if you ask us.
The track is paired with a music video, in which he collaborated with fellow rapper and videographer Ihasamic!. The gripping visuals serve as an artistic representation of Axel’s life journey, as well as the challenges and curveballs that came his way.
24. Layers by Flanery
If your music taste buds tingle for Bon Iver and Sufjan Stevens, then make some space in your playlist for this French-Javanese indie-folk singer-songwriter. Going by the moniker Flanery, Aude Giraud is also the flower power behind Ask A French. She first teased us with her debut single Oh Boy, and now she’s giving us more with the release of sophomore single Layers, which coincides with the birth of her daughter. The delicate song started off with her trusty mahogany acoustic guitar before layering it up with mellow additions, gentle harmonies, and even electric guitar notes that mirror the sound of a classical harp.
“This song evokes Layers of protection to fight the everyday. It’s about being vulnerable but still having to go on despite all the challenges that await,” says Flanery. Read our full interview with Flanery here.
25. LMI by Astronauts
After slick and polished solo releases in the last two years, Astronauts is finally giving us a peek into its upcoming sophomore EP, maturing sound palette, and personal lives. A collaborative effort, LMI is the sultry R&B track you want to dim the lights for. It features an alluring duet between lead singer Ben Jacob Lee and Disco Hue front-woman Sherlyn Veronica, spelling the tension of a strained relationship that will make you sweat. The Shaykhandbake-produced track also peaks with a scorching-hot guitar solo – a nod to the band’s earlier releases where textured guitars played a major role.
“It’s a little cheeky, but still the first time we’ve written about the struggles of love like this. As it came together, we knew it had to be a duet and it brought the record to a whole new level. Collaborations are at the heart of 2021 for us and we can’t wait to show what’s next,” says bassist Benjamin Mah.
26. Jupiter by KHAi
Two left feet or not, this upbeat bop by alternative-folk pop crooner Khai will make you want to boogie. But it’s not all fine and dandy as Jupiter is actually a sad song masked under light-hearted synths and puncturing beats. Like an emotional rollercoaster ride, the lyrics feature the ebb and flow of infatuated love – they love me, they love me not. It weighs in the contemplation of wanting to stick around until their love is being reciprocated. Nonetheless, it still makes for a quirky perk-me-up.
“I know I write a lot about love, but my understanding of it changes each time. I would know that I did it right when people who listen to this track feel the awkwardness and conflict that has been displayed so clearly, but are still able to bop along to it,” KHAi explains. Jupiter marks the first out of a string of releases, in like with his upcoming debut album Navy Wishes.
27. Blind (ft. ZIONN) by Lip J and BECKA
When you put the creative minds of local singer-songwriter BECKA, local producer ZIONN, and Seoul-based dancer-songwriter Lip J together, you get a sizzling blend of K-Pop, R&B and electro-pop, powered by electric guitars – otherwise known as Blind. Always evolving as an artist, BECKA turns up the heat, lending her warm vocal presence to the multilingual baby-making jam.
The song was brought to life by Korean-Singaporean MusicTech company SAVANAH, which champions the music collaborations of dancers and producers. The accompanying music video stars Lip J and two other dancers Simeez and Funky Y throwing shapes with chairs, and um, rain. The music video was also shot by Anthony King, who previously directed BLACKPINK’s Lisa’s solo film series Lili’s Film.
28. Mami by Yung Raja
Since his 2018 breakout hit single Mustafa, Yung Raja has been carving out a reputation as one of Singapore’s boldest hip-hop exports, with unapologetic verses and upbeat trap beats to boot. But instead of another brag-filled banger, the rapper’s latest single is one for the ladies. Celebrating “beauty and the female form in all its gold-embroidered splendour”, Mami shines with his signature English-Tamil bars, cultural references, and ad-libs. As he tells us, it’s “a cheeky song that’ll shake the clubs!” And with his melodic flows and producer Flightsch’s killer mutating beat, we can even overlook the 62-Mami-ed (yes, we counted) hook.
As the gift that keeps on giving, the rapper also pairs the catchy track with an equally fun music video. Just like his hair – which has taken on shades of green, pink and even blue – the eye-popping, kaleidoscopic visuals see the rapper surfing on dollar bills, and climbing on stacks of saris. “We wanted to create something that hasn’t been creatively explored, especially when it comes to hip-hop music videos. We partnered up with Bless7Up and Jasper, one of our closest collaborators since 2018, to create visuals that are crazier and louder,” Yung Raja shares with us. Read the full interview here.
29. I like red by Charlene Su
Pop darling Charlene Su may have gone off the radar since releasing her first two bedroom bops Home with you and Don’t want to grow up in 2019. But now she’s back with her long-awaited single I like red. Peeling back the layers of her downtempo roots, she’s introducing a spirited hybrid of contemporary pop and R&B to create a chilled, saccharine earworm that’s sweetened even further with her candy-coated vocals.
While her easy-to-grasp lyrics like “I like red you like green / I’m team Marvel you’re DC / In my head we ain’t meant to be / I like you so the jokes on me” sound pretty cheesy, there’s no denying that the simple chorus easily latches onto your mind within the first round of listening. Yup, it’s one of those songs that will stick around your head for some time.
30. Don’t Miss Demo by YHB Sleepsalot
From Def Jam Singapore comes another hip-hop gem who goes by the moniker YHB Sleepsalot. Don’t sleep on the upcoming rapper though – the 19-year-old wunderkind has a knack for rolling out hypnotic rhymes with a distinct – albeit a slight nasally – tone, which are all captured in previous releases like Blow Up and Gotit, as well as his new single Don’t Miss Demo.
Joining the forces of two ace local producers Riidem and Flightsch, the beat of Don’t Miss Demo seamlessly blends a dreamscape of keys and pounding bass. It’s then layered with the YHB Sleepsalot’s lyrical prowess and alternative hip-hop sensibilities. Of the introductory track, he says, “I wanted to show my versatility. How I switch up the flows and play around with the melody. I can jump on any beat. Even on a trap beat, I can flow around and make my way through the snares”.
31. Lonely Shores by Wovensound x Ihasamic!
Let acclaimed producer Wovensound, rapper Ihasamic!, and alt-pop songstress Jeena whisk you to their Lonely Shores. The cathartic number comes from a place of emotional pain and confusion, where – as Ihasamic! adds – “reflect on times where we sometimes like to hold on to things that hurt us.” Think of it as a doleful diary entry in sonic form, the song is framed with cinematic production and ethereal calm, drenched with Ihasamic! and Jeena’s profound verses, and finished with sounds of crashing waves.
What’s sublime about this collaborative effort is that it addresses mental and emotional health with a level of sensitivity – something that’s quite rare in contemporary hip-hop and R&B. “I wrote it with the story in mind of someone who feels like he’s drowning, trying so hard by himself to stay afloat, not knowing what’s the payoff at the end,” shares Ihasamic! “But upon revisiting the material when we were filming the music video for it, I realised that I may have been voicing out the situation I was going through within myself, unknown to me at the point of writing.”
32. Shadow by Electrico
You probably remember the indie pop-rock stalwarts for their 2004 smash-hit I Want You – unless you’re too young to recall. And that’s ok because the band is back together to reintroduce themselves with a new sound via their upcoming EP, B-sides Live at the Power Station, which drops on May 7. The EP features refreshed versions of their earlier songs, including Shadow. Expect more keys, guitars, and even chamber music – violin, cello, trombone, French horn, the whole shebang – to amplify the under-the-radar songs.
In the meantime, check out the band’s first rollout of live performance videos, which revisits Shadow. The band claims that “It was a rarity born from nothing during a random jam, with everyone in the room making it happen. It also turned out to be our most epic.” Besides a sense of nostalgia that radiates from it, the track also ropes you in with vocalist David Tan’s expressive croons, as well as William Lim Jr’s hard-hitting drums, Desmond Goh’s grounded bassline, and Daryl Tay’s riveting guitar solo.
B-sides Live at the Power Station drops on May 7.
33. Replay by Dru Chen
Sleek, soulful, and funky, Dru Chen’s fresh new track is a blast of neo-soul that stands on a pulsating bassline, and is peppered with delicate synths, added with a crisp guitar lick, and elevated with handclaps and trumpets. Replay finds Dru bitten by the nostalgia lovebug as he looks back on young love in the late 90s through a VHS-tinted lens (high-top sneakers and baggy jeans included), ‘replaying’ the first moment in time of meeting that special someone. Dru brands the single as a “true pocket soul jam”.
Replay is available on Spotify and Apple Music.
34. Hit My Line by Homeground Studios (feat. Tengyboy and NYK)
Jason Gelchen and MJ Tan are helming a new single series under the Homeground Studios banner, which kicks off with Hit My Line. The upbeat banger features Singapore’s super smooth rapper and lyrical wiz Tengyboy, as well as Malaysia’s equally suave singer-songwriter NYK. A fun earworm that hits the boogie bone right, Hit My Line pulls you to the dancefloor with two-step-friendly beats, ripple-like synths, and a flow that’s easy to follow. It’s worthy of a beachside or poolside shindig playlist. With this taster, we’ll definitely be hitting Homeground Studios’ line for more sunkissed bops.
Hit My Line is available on Spotify and Apple Music.
35. U.F.O. by Rene
Want something to rock on to? Hit play on Rene’s new track. The single introduces extraterrestrial vibes before powering up with a guitar buzz and hard-hitting drum fills. U.F.O. is exactly what it says on the tin – it’s about aliens. The pop-punk track showcases Rene’s humorous side with tongue-in-cheek lyrics about seeking help to save this world from the horrors of modern-day humanity and take her away from her existential troubles. An out-of-this-world track for fans of early noughties pop-punk titans like Avril Lavigne and Fall Out Boy.
U.F.O. is available on Spotify.
36. Do you drive a nice car by Yams
Don’t let his long mane fool you – Yams’ sound is far cry from the aggressive, distorted electric guitars of metal. Instead, the guitars on his tracks are more modest. Do you drive a nice car starts off as a gospel ballad before taking flight with rap and spoken word. The dense rhymes have a cathartic effect that highlights the singer-songwriter’s struggle to accept his mother’s abandonment of his family, connecting it to the nation’s dream of a family and a home. It then ends in a heart-rendering vocal solo a la Matt Corby.
If there’s one thing to note, Yams is known for not shying away from dark topics such as family trauma and political commentary, so you can expect his latest LP Day/dreams to be as emotive as the single. “This single captures many central themes of the upcoming album – dreaming, longing, loss. It’s a very specific song about a very specific story – my history with my mother. It also gives listeners a preview of the upcoming album’s diversity as it features rap, singing, as well as spoken word. Emotionally, this single is the album’s core, which revolves around the deep colours of trauma that are explored within the song,” shares Yams.
Do you drive a nice car is available on Spotify and Apple Music.
37. Please Don’t Do It by Kotoji
When she’s not busy with her day job as Managing Director of award-winning music institution Academy of Rock, Anjila Lim goes by the moniker Kotoji to dish out a nostalgic combo of indie rock, power pop, and Japanese rock, topped with introspective and honest lyrics. The single Please Don’t Do It brings you back to those melancholic, alternative rock anthems a la Smashing Pumpkins. A preview of her upcoming debut LP which is set to release by the end of this year, the track articulates one’s frustrations with someone who’s heading down a path of self-destruction.
“When I initially wrote Please Don’t Do It, it was about my ex, and how I couldn’t agree with something he did. But as I continued to work on the song, I realised that it actually applies to a lot of people in my life who struggle with mental difficulties.” Kotoji continues, “Self-destructive practices don’t just affect the one enacting on them – they affect those around them too. Everyone is helpless in the situation, and as much as you want to be there for your loved ones, you have your frustrations with them and at yourself as well. This song is kind of an admission to human vulnerability.”
Please Don’t Do It is available on Spotify.
38. Medusa by Jasmine Sokko
The masked electro-pop icon has been putting Singapore on the world stage since debuting with her first single 1057 in 2016 – all without revealing her entire face. And now she’s back with an infectious new single from her forthcoming English EP which is due to release later this year.
Co-written with Grammy-nominated executive producer Jenna Andrews and produced by Oscar Scheller who has worked with Charli XCX and Ashnikko, Medusa calls upon the misunderstood Greek demoness to spin an anthem of empowerment, strength, renewal and independence. Unlike Jasmine’s previous releases, Medusa is tonally darker and heavier, but still dance-worthy.
The new sonic direction makes a great introduction to a newly evolved era of Jasmine Sokko, as she puts it: “Medusa is the beginning of a new chapter, a story of renewal and reinvention after an inconvenient and uncomfortable phase of pushing past my own old self. New song, new me.”
Medusa is available on Spotify and Apple Music.
39. A Day At A Time by Gentle Bones and Clara Benin
The pandemic has forced many artists to find innovative ways to collaborate with their international muses. Singer-songwriter Joel Tan (aka Gentle Bones) turned to WhatsApp to join forces with Filipino indie star Clara Benin whose solo gig in 2018 was sold out in 30 minutes. Within three months during lockdown, the pop artists bounced back and forth, picking on each other’s brains virtually to create a mid-tempo track that embraces positive, laid-back vibes.
“We went through many WhatsApp conversations and calls, also a lot of large files being sent through the web. It’s my first experience working fully virtually and I loved it! Clara actually wrote many beautiful parts to the song which unfortunately couldn’t be squeezed into the final track,” says Joel. Even so, the two-minute track manages to deliver the message to see the beauty of taking life A Day At A Time.
A Day At A Time is available on Spotify and Apple Music.
40. Summer by Eve Alai, Madaid and Arjun Ratwatte
A step away from Eve Alai’s deep house numbers, Summer brings on the sunshine with tropical vibes complete with a skillful melange of fizzy, retro-funk arrangements. The cross-cultural collaboration sees the Singapore-based electronic artist concocting the sun-kissed sound with UK-based artist Arjun Ratwatte and Sri Lankan producer Madaid.
The track started with Eve who came up with an earworm of a hook around Warren G’s beloved classic Regulate, infusing guitar chords and adding sultry pop vocals to the mix to create a rounder sound. He says, “I wrote the first verse, then the chorus and immediately had Arjun in mind so we got talking about collaborating on the track. He wrote the second verse and the writing was complete, but I felt that the production was missing the last bit of oomph it needed.” Anchored by the irresistible rhythms of Madaid, this groove is unimpeachable, and sounds great by the pool.
Summer is available on Spotify and Apple Music.
41. Green Light by Absence!
Early this year, three-piece indie outfit Absence! released their album Difficult Conversations, which features their 80s new-wave-esque single Green Light. A cross between old-school ‘Til Tuesday and new-school Chvrches, Green Light is a contemporary blast to the past that’s centered on the classic synth-pop sound, executed with plenty of reverb and synth patches. The song also scores points with vocalist Aida’s soft, easy-on-the-ear tones, and guitarist Ryan’s hypnotic hook.
Green Light is available on Spotify and Apple Music.
42. Timeframe by Iman Fandi
It’s no surprise that Singapore’s sweetheart, model Iman Fandi, has turned to music – joining the likes of Grace Jones, Karen Elson and Sky Ferreira who started on the catwalk before taking on the mic. But it is a surprise that her R&B-pop debut Timeframe managed to turn heads with raw yet mastered emotion, both sonically and visually (the music video is really a stunning piece of work by director Choānn).
The single was written by Iman herself, and brought to life by Singaporean producer Flightsch and 13-time Grammy-winning engineer John Hanes who has worked together with The Weeknd, Ariana Grande, and Taylor Swift. While it nails the fail-safe formula of mainstream pop-R&B, it has a certain je ne sais quoi that makes it very appealing. Perhaps it’s Iman’s dulcet tones. Nonetheless, her mark into the local music scene has definitely stirred our appetite for more.
“Timeframe was inspired by real-life events where I was always experiencing a distance in relationships with my family, friends, and some crushes. I had to say goodbye to a friend [one night], and the morning after, I was in a taxi [when the] melody came into my head. I wrote the song in the taxi – that’s how Timeframe came about,” Iman shares with us. Read our full interview with the popstar here.
Timeframe is now available on Spotify and Apple Music.
43. I’m Fine by Nathan Hartono
No sleep for Nathan Hartono as the multi-hyphenated artist continues his momentum of releases in 2021 with a brand new English single titled I’m Fine. An ace team effort with local producer Myrne, the track branches out of Nathan’s usual songwriting style and into the electronic realm of the 80s while maintaining the pop sensibilities and falsetto abilities that make Nathan a chart-topper.
“I’m Fine stems from me wanting to give a more succinct answer to the question: how are you?. In my head, every time someone asks me this question, I want this song to play for them instead. Because I think it’s such a loaded question, that requires so much context and understanding that just cannot be achieved in a short social exchange. And I think we got this question a lot in 2020. So, we just say “I’m Fine” when there’s always so much more to that story,” shares Nathan.
Even if you’re not here to read between the lines of the lyrics, you’ll definitely stick around for a little boogie. We won’t even be surprised if this undeniably catchy synth-wave bop finds its way onto Tik Tok – make it happen, Gen Z!
I’m Fine is available on Spotify and Apple Music.
44. uRight by ShiGGa Shay featuring Jay Park
ShiGGa Shay does not shy away from creating hip-hop earworms with Singlish bars and witty punchlines that span across different topics. And for anyone who’s listened to the rapper for some time now would easily pick up uRight as one of his rare love songs.
Inspired by a conversation about a relationship conflict, the upbeat love bop was conceptualised in one of his recording sessions in Los Angeles in 2019. It started with a freestyle to UK producer Superjdoug’s beat before beefing it up with a chorus and additional production from US producer OkayJJack. And if the international collaboration can’t get global enough, it’s even got hitmaker and Korean-American rapper Jay Park on it. You know it’s a mega big deal when you’ve got the “scene stalwart” of Korean R&B and K-hip-hop on your track.
uRight is available on Spotify.
45. Stay Up Till I Sleep by Jaye
If you have trouble sleeping, put on your headphones and play Jaye’s latest single Stay Up Till I Sleep. The nocturne lullaby weaves in elements of pop, electronic, hip-hop and R&B to embody the virtuosic maverick’s genre-bending songwriting skills. It also reflects his troubles with insomnia and how it affected his wife during many sleepless nights. Ultimately, the bittersweet track is about insomnia and love.
The Billie Eilish and Khalid-eqsque production – led by producer-songwriter Tat Tong – ropes you in with the updraft of trudging piano keys that are routinely rained out by arpeggiated dewdrop harps. You’ll also find yourself trailing after Jaye’s every word, bouncing off the lyrics, crooning the chorus and rapping the verse – giving you no excuse to hit the snooze button on this one.
Stay Up Till I Sleep is available on Spotify and Apple Music.
46. Leave Me Alone by Amanda Ong
There’s power in creating nerve soothers with just a guitar, delicate vocals and unpretentious lyrics. And that’s what emerging indie-folk singer-songwriter Amanda Ong has managed to pull off with You Don’t Exist and Nice to Meet You. Her latest single Leave Me Alone, however, is beefier with jazz and funk elements, but still retains that lulling factor common in Amanda’s discography.
A pleasing listening experience, the introspective single lends a voice to the ebb and flow of a personal internal struggle, with lyrics such as “I’m feeling nothing and yet everything at the same time” detailing the degree of the underlying emotional tug-of-war. Written a day before Amanda’s birthday, it’s a song of yearning for a better tomorrow amidst the overwhelming sentiments of dejection.
A Malay version of Leave Me Alone will also be released on April 23, titled Biar Ku Bersendiri. The single was translated and produced for Wisma Geylang Serai’s Third Gala Laga Festival, and previously selected as a finalist for Gala Laga 2020 Open Call.
Leave Me Alone is available on Spotify and Apple Music.
47. Can’t Seem to Get Anything by M1LDL1FE
The indie quartet’s new animated music video best captures the workings of a frantic mind. There’s a slight resemblance to indie stalwarts Arctic Monkeys’ Do I Wanna Know, but minus the glam stomp and Alex Turner’s flirty purrs. Beyond the MV, M1LDL1FE’s Can’t Seem to Get Anything, however, manages to capture our attention with its whirlwind of fuzz guitars and echoey synths, topped with lyrics that illustrate the feeling of being under the mental duress of depression and anxiety.
“The song is a manifestation of some of the low points we have had in our personal lives over the past couple of years – personal losses, relationship issues, mental health struggles, in addition to the stresses of the daily grind. [It] acts as a sort of cry for help, an acceptance that something doesn’t feel right,” shares frontman Paddy Ong. If anything, this cathartic release is possibly one of M1LDL1FE’s grittiest to date.
Can’t Seem to Get Anything is available on Spotify and Apple Music.
48. Doorbell by Matilde G
A refreshing spin on the classic pop formula, Doorbell looks like it’ll be the one to propel emerging artist Matilde G into mainstream pop stardom. With the hand of experienced Swedish producers from music label The Kennel AB, the vibrant introductory single shows off the Italian-born, Singapore-based singer’s playful side and her catchy brand of pop.
“This song really vibes with me because it’s about a girl who wants to live, however, she wishes to, and have a blast along the way. Looking at the bright side of things is the only way to get through these crazy days of insecurities,” says Matilde G. Get ready to shimmy and shake on your makeshift dance floor as its heavy pop beats and infectious melodic lines take over your body – just try not to fight it.
Doorbell is available on Spotify and Apple Music.
49. When Love is Nigh by Jonan
Taking a turn from his usual stuff, Ipoh-born, Singapore-based singer-songwriter Jonan revisits old-school jazz with his new ballad When Love is Nigh. The piano-driven, pensive love number gently displays his knack for emotive songwriting, laced with melody-enrobing baritone. Midway through, the song introduces a double bass which elevates it further, giving it a more rounded lounge bar kind of vibes. The two instruments, together with Jonan’s delicate vocals, beautifully deliver his wistful wishes to the listener: “I’ll dream about your shadow at my door/Oh darling you’re the one I’m waiting for.”
When Love is Nigh is available on Spotify and Apple Music.
50. Not All That Glitters is Gold by Masia One ft. General Ling
The Far East Empress of reggae and dancehall is back, this time to call out inappropriate behaviours, especially gender-based violence. Joining forces with Australian producer Jahwise and artist General Ling, Masia One took to music to address a sexual assault that happened during the Australian leg of her tour, and amplify the voices of survivors. The bass-driven, reggae-inflected track touches on points about grooming, harassment and hurt, all while encouraging people to speak out against such violations.
Whether you’re a survivor or an ally, join the @not.allthatglitters movement and keep the much-needed conversation going, including various ways to support survivors better.
Not All That Glitters is Gold is available on Spotify and Apple Music.
51. Golden Ratio by Daniel Sid and Evanturetime
You’ve probably seen (or at least heard) Daniel Sid during one of his John Mayer-esque busking gigs. Now, the multi-instrumentalist, vocalist and producer is stealing hearts once again with another ear-candy: Golden Ratio. A collaboration between the triple threat and producer Evanturetime, this feel-good, laid-back pop tune shines with Daniel’s soulful vocals, upbeat melody, and saccharine lyrics about a girl with “That golden ratio/So magical.” With new beats and vocal style, it’s clear that Daniel is ready to show the world his versatility.
Golden Ratio is available on Spotify and Apple Music.
52. Won’t You Come Around by Charlie Lim and Aisyah Aziz
If you resumed your gig-going routine last year with Back To Live, you’ve probably had a sample of Won’t You Come Around. The single marks Charlie Lim and Aisyah Aziz’s first collaboration despite having shared the same stage numerous times before including the 2018 National Day Parade.
Imbued with contemporary R&B and gospel elements, the simmering bilingual duet calls attention to the singers’ knack in evoking emotions through the range and complexity of their voices, as well as relatable lyrics – whether in English or Malay – which reveal the growing pains of a long-term relationship.
“Ultimately it is a love song, but it’s more about understanding that the search for ‘real love’ doesn’t exist – it’s about what you build together over time,” explains Charlie.
Won’t You Come Around is available on Spotify and Apple Music.
53. Oak Cherry Wine (Remix) by Jean Tan and Yang Jung Eun
There’s no doubt that singer-songwriter Jean Tan’s spellbinding single Oak Cherry Wine leaves a pleasant taste in your mouth. Like a good romance novel, it tells the story of the man who remained by Jean’s side when she underwent personal health struggles with kidney disease.
To give the bluesy love song a little more oomph, local producer Feng Lee has roped in Korean YouTuber Yang Jung Eun for a refreshing synth-pop-soul update. The remix marries Jean’s lyrical sensibilities with Yang June Eun’s dulcet tones, and is accented by a new arrangement that consists of a lo-fi beat, the jazz-hop ebb and flow, and the syncopated electric piano. It makes a perfect addition to your playlist of love songs this Valentine’s Day too.
Oak Cherry Wine is available on Spotify and Apple Music.
54. Morning Dance by YAØ
Selected by Fariz Jabba
“Everyone should get on YAØ right now. Listen to his entire discography. I’m telling you – he’s the most underrated in Singapore, and kid needs credit. I love his stuff!” rapper Fariz Jabba shares with us.
If you need a pick-me-up pronto, perk up with YAØ’s a.m. anthem Morning Dance. But don’t expect a high-octane boost – the pop-R&B bop puts a spring in your step with a mid-tempo melody that’s steadily paced for a daytime stroll. It’s further elevated with the hitmaker’s caramel-smooth choral harmonies and pumped up hip-hop beats, and even features an elevator-jazz outro to leave the listener on a good note. It’s definitely one for fans of Lauv and Bazzi.
Morning Dance is available on Spotify and Apple Music.
55. All Time Low by YRFN and YHB Sleepalot
Selected by THELIONCITYBOY
With tracks like Tek It Slo and Trust, it’s apparent that alt-R&B artist YRFN coasts on an atmospheric pop-R&B sound that mines heavily from the instrumentals of the OVO camp, best known for Drake, Majid Jordan and dvsn, among others. But if you need a quick intro, check out YRFN’s All Time Low, which features rapper YHB Sleepalot. The track nails the OVO formula with its synth-pop energy and dreamy contemporary effects – a fine blend of moody R&B and addictive pop sensibilities.
All Time Low is available on Spotify and Apple Music.
56. Fruitcake by Subsonic Eye
Selected by Mediocre Haircut Crew
From the noise-rock quintet’s third full-length album – and the boldest one yet – comes Fruitcake, a dessert for the ears. The rich flavour of the rousing track is elevated with dense riffage, kinetic rhythm section, and Nur Wahida’s spunky vocal delivery. It carries traces of ’90s alt-rock your parents once jammed to. Deviating from the band’s initial shoegaze approach, they successfully manage to showcase their sonic growth through Fruitcake, as well as previous single Unearth, and the rest of Nature of Things.
Fruitcake is available on Spotify and Apple Music.
57. $ua by Akeem Jahat
Selected by THELIONCITYBOY
This throwback funk first made waves in 2016, but it has stuck in our minds – and hearts – ever since. Singapore’s answer to Biggie Smalls, hip-hop maven Akeem Jahat is no stranger to the bilingual rap game as he’s known to keep things real with eloquent English-Malay flow. But $ua is mainly rapped – and at times sung – in Malay. Even if your Bahasa is rusty af, it’s groovy bassline, striking trumpets, shuffling drum loop, and syncopated flow à la Anderson .Paak and Kendrick Lamar will make you “gelek”.
$ua is available on Spotify and Apple Music.
58. For You by Scenery
With an ethereal amalgamation of reverb-driven guitars and mellow croons, topped with a striking rhythm and bass, For You makes a Raveena-esque, warm-toned soundtrack for this chilly sweater weather. It’s also a cathartic release for the indie, R&B and lo-fi trio whose self-produced tracks seek to encapsulate the nuanced experiences of transition, place and wistful retrospection. There’s a deep sense of longing that draws from the song itself, and together with a Wong Kar Wai-inspired music video, it creates a dreamy yet melancholic soundscape.
For You is available on Spotify.
59. Make Her Mine by Jason Yu
This singer-songwriter has turned the streets of Orchard Road into his mini stage – with a permit, of course – as a busker. Now, he’s taking on the airwaves with a catchy new single: Make Her Mine. A lead up to his upcoming EP, the upbeat love song makes the perfect tune for that love-at-first-sight moment – something Romeo might play upon locking eyes with Juliet. While it moves away from Jason’s usual emotive ballads, the single flexes his versatility in bringing a dash of indie-pop to the mix.
“I had so much fun bringing Make Her Mine to life because it’s so different to what my audiences are used to. It’s nice sometimes to be able to pause life for just a bit, and look back at the older, simpler days,” says Jason. Bring on the variety.
Make Her Mine is available on Spotify and Apple Music.
60. Better With You by Gentle Bones and Benjamin Kheng
The brainchild of Gentle Bones (aka Joel Tan) and Benjamin Kheng’s (of The Sam Willows) bromance, Better With You sounds like a much-needed heartfelt conversation with a loved one. The pop reunion keeps you grounded with lyrics like “you are stronger than you imagine”. Rounded off with soothing vocals and pop groove – oh, and things get jazzy mid-way through – the easy-listening duet serves as a timely reminder to check on your loved ones, and let them know that the world is indeed “better with (them) around.”
Better With You is available on Spotify and Apple Music.
61. Just a Shadow by Daphyne
This lush introduction by up-and-comer Daphyne offers a form of escapism with its hypnotic guitars and chillwave loop. An exciting debut, no less, Just A Shadow illustrates the singer-songwriter’s disillusionment, painting an honest portrait of her experience that brought about her disbelief in true love. And with her haunting single Orange Scarlet Sky, which packs a punch with dark cinematic vibes à la Lana Del Rey, we’re excited to see what else Daphyne has in store for us.
Just A Shadow is available on Spotify and Apple Music.
62. Buang Suay by THELIONCITYBOY feat. Zamaera and Alan D
The Lion City wordsmith returns to dish out a cross-border, hip-hop trinity with a title many Singaporeans will find familiar – “buang” translates to throw away in Malay and “suay” means unlucky or unfortunate in Singlish. Keeping his lyrical reference local, the rapper spits verses that paint a picture of the “buang suay” mentality, welcoming good change and rejecting bad energy. The track is also beefed up by Malaysian rappers Alan D and Zamaera. We’ve got to admit that the latter comes guns ablazing with plenty of heat, outshining the other rapper’s parts.
Buang Suay is available on Spotify and Apple Music.
63. Fascination by The Analog Girl
Until we get to travel again, we’ll just have to resort to a ‘virtual vacation’ – which is also the two-track holiday ambient pop album of The Analog Girl. The epitome of ‘trippy’, the electronic avant-pop musician takes listeners on a sonic journey to somewhere warm and tender, which is much needed especially after a year like 2020. To make the most of the three-minute instrumental track, simply close your eyes and immerse yourself in the delicate drum beats, electric piano and tinkly synths. It won’t hurt to imagine yourself strolling down the amber lit streets, past the Christmas markets during this festive season too.
Fascination is available on Spotify and Apple Music.
64. Whoops by brb. x Jimmy Brown
If you’ve got an affinity for K-Pop with a dash of R&B, you’ll want to make some space in your playlist for this bilingual ear candy. Fans of Penomeco’s lush, laidback beats, Jay Park’s sultry tracks, and Dean’s velvety vocals will fall head over heels with this collaborative effort by local R&B trio brb. and Korea’s latest export Jimmy Brown. Together with Jimmy’s dreamy soundscapes and vocals that blend smoothly with brb. frontman Clarence Liew’s, Whoops is a winning formula of an easy listening ditty.
Whoops is available on Spotify and Apple Music.
65. PrettyGirlBop by Sya and Yung Raja
What do you get when a rising rapper from Malaysia joins forces with a hip-hop trailblazer from Singapore? A fire track featuring bars in English and Malay. Produced by Malaysia’s SonaOne, the empowering track PrettyGirlBop is said to be inspired by women like Sya’s mother who have stayed strong during difficult times, including the pandemic. Traces of the Indonesian gamelan music can be detected in the bop, which elevates the hard beats, Sya’s red hot verses and Yung Raja’s catchy hooks – and we can’t get enough of it.
PrettyGirlBop is available on Spotify and Apple Music.
66. Stay by Alyssa Lie
Turn things down a notch with this guitar-pluckin’ ballad by new-kid-on-the-indie-block Alyssa Lie. With her heart on her sleeve, the singer-songwriter reveals her vulnerable side in a relationship in which she’s still deciding whether to call quits. Her raw, emotive vocals are layered with hints of indie, pop and even country, which comes as no surprise as the winner of this year’s Singapore’s Got Talent (Open) sites Taylor Swift as one of her artistic influences.
Stay is available on Spotify and Apple Music.
67. Raindrops by Sezairi
The soulful boy-next-door’s latest smooth ballad comes complete with bilingual flair. An effortless blend of English and Malay, Raindrops illustrates the dichotomy of the wistful song which is comparable to bouncing between the want to stay and the need to leave (c’mon, we’ve all been through that). The Singapore Idol alum has been known to dabble in the art of pop and funk, but this atmospheric slow funk, peppered with a pinch of jazz, brilliantly captures the singer’s emotional and melodic strengths, as well as lyricism.
Sezairi explains Raindrops as a “song to represent how the rain outside your window holds duality in its meaning and could sometimes act as a double-edged sword in itself: it once kept you both close for warmth inside but even much colder now when there’s no embrace.”
Raindrops is available on Spotify and Apple Music.
68. Off My Mind by Rene
You’d have to be off your mind to not get hooked on Rene’s pop-rock single which is reminiscent of early Noughties teen-scene essentials – think Alanis Morisette’s Hands Clean and Michelle Branch’s All You Wanted. Still exploring her sound, bouncing from alt-rock to pop-rock, the singer-songwriter and guitarist has managed to nail an energetic compound of punk, rock, and indie elements with Off My Mind. You get roped into the upbeat bop with its catchy choruses, rich guitar hooks, and comprehensive sound. Plus, it’s primed for daytime radio play – and YouTube if you count the playful music video.
Off My Mind is available on Spotify and Apple Music.
69. If You’d Have Me by Whirring
Let’s just say that electro-pop duo Whirring is Singapore’s answer to British pair Oh Wonder. And you’d want to keep ‘em on your radar. If You’d Have Me keeps you glued with Aqid and Michelle’s lush vocal harmonies, punchy 808s, shimmering synths, and emotive lyrics that have the two wearing their hearts on their sleeves. The swelling chorus simply pulls you into the uncertain waters of infatuation, and you’ll want to take a deep swim in it before resurfacing when the song ends.
If You’d Have Me is available on Spotify and Apple Music.
70. Not There by Ellihn
Nothing gets fresher than a fresh face in the local music scene. Brazen alternative artist Ellihn introduces himself as well as his signature unapologetic songwriting to the world with his tantalising debut track Not There. The genre-bending single tickles the senses with notes of Latin, country, and alternative music, and deep hushed vocals. The song bubbles up thoughts of regrets, recollections of missed opportunities, and having “Killed two men / With one hand” like an epic Western film. If this is just a starter from the 19-year-old, we’re looking forward to the mains.
Not There is available on Spotify.
71. (Feel Like) Dancing Alone by Lincoln Lim and Houg
If you have to, retreat to your comfy corner for a solo boogie with this one. (Feel Like) Dancing Alone drops as a two-track release that celebrates the duality of Lincoln Lim’s folk-tinged, alternative-pop sensibilities, and Hough’s lo-fi, chillwave essence. One is beefed up with hypnotic synths and basslines, while Houg’s mix is more atmospheric, slipping deeper into the chillwave circle. Both offer listeners two different mixing and mastering approaches to the same track – and we can’t even pick a favourite out of the two. Nonetheless, both culminate with Lincoln’s bright falsettos.
(Feel Like) Dancing Alone is available on Spotify and Apple Music.
72. Scorpio by Keyana
The sophomore single of up-and-comer Keyana makes an appealing alternative to rounding off the tempestuous Scorpio season (which ends on November 21, FYI). Scorpio can easily be described as contemporary R&B with an alluring blend of moody trap-soul, ‘90s nostalgia, and sultry vocals. The slow-groove number also plays out like a coming-of-age TV drama à la Euphoria where the 17-year-old Ghanaian-Singaporean lets her walls down, confronting her past and reshaping her perspective on love with candor.
“Scorpio is written about my experience being in a toxic relationship. I felt like I was trapped and was unable to make decisions on my own. This song encapsulates the frustration and pain I felt being in a relationship like that, calling out the toxic patterns I observed during that time, while reflecting on my strength of being able to walk away from such a painful relationship. I hope people who relate to my story and lyrics are able to feel my intensity and desperation in this song,” shares Keyana. If anything, Scorpio shows us the R&B wunderkind’s true potential – definitely an artist to keep an eye on.
Scorpio is available on Spotify and Apple Music.
73. Hungover by Soph Retief
With electrifying synths, tropical beats, and bold-as-brass lyrics, multi-instrumentalist Soph Retief’s latest track is an undeniably catchy ear-worm that seems to stay looped in our minds. Born and based in Singapore, the 22-year-old of South Africa and British descent takes lead from the likes of chart-toppers Meghan Trainor, Dua Lipa and Ariana Grande in crafting her pop sensibilities. Then again, it’s no surprise that she manages to nail it down to a tee, having bagged the MTV Asia’s Project Aloft Star in 2016.
But beneath the bright surface of the dance floor filler lies an honest outlook on the all-too-familiar adage of spending nights out to drink lovelorn sorrows away. “It’s that acknowledgment that while partying and crazy nights out can be a lot of fun, it does nothing to process the pain and heartbreak of having to let go of someone. I know that this is a sentiment that people can relate to, and I wanted to put it out there that they are not alone in feeling this way,” adds Soph.
Hungover is available on Spotify and Apple Music.
74. Vices by Tabitha Nauser
The Singapore Social alumna is back with a “rebellious track” which, in all honesty, isn’t half bad. But don’t expect a loud and raucous approach. Instead, Vices is a minimalist sort with drum pads and lightly smoked, soulful vocals – one that sticks to pop’s current “less is more” ethos. The quarter-life pledge features Tabitha Nauser singing confidently over sunny, keys-driven instrumental about cutting people off and trusting her own gut.
So how is it rebellious, you ask? “It’s about putting your own mental health at the forefront and doing what makes you feel good despite societal pressures and expectations. That in itself is rebellion because it’s about making the choice to go against the ‘norm’ or to change the narrative of what’s acceptable. It’s a track that makes me feel free and empowers me in knowing that I do know what’s best for me,” explains Tabitha.
Vices is available on Spotify and Apple Music.
75. Rose by Marian Carmel
Like chicken soup for the soul, Marian Carmel’s Rose is a soother that’s filled with lush vocal harmonies and velvety strings. Drawn from the phrase “rose-tinted glasses”, the single is a form of catharsis for the 23-year-old singer-songwriter as she reflects on life and makes peace with her personal growth. “I have grown a little older, I have learnt a little more/but whatever happens, hope it’s not forgotten/or seen with glasses tinted rose,” she sings in delicate tones à la Emily King, Lianne La Havas, and Sabrina Claudio. There’s no denying that the indie R&B/soul darling has an innate ability to elicit emotions and keep us listening, especially with the ebb and flow of her ethereal vocals and orchestration in such a slow jam like Rose.
Rose is available on Spotify and Apple Music.
76. You Got Me by Causeway Youth
If jangly guitars of the early 2000s are your jam, let us introduce you to Causeway Youth, starting with You Got Me. This road-trip essential shows that the ambient pop duo has a knack for injecting reverb-dripping guitar hooks, dreamy vocals, and atmospheric textures in such a simple tune. The song acts as a confession for catching feelings for another while not truly knowing if the feeling is reciprocated – something we can all relate to.
You Got Me is available on Spotify and Apple Music.
77. Cage The Animal by Naomi G
There’s a new dark pop princess on the horizon, and you won’t want to sleep on this emerging artist. Going by the moniker Naomi G, the singer-songwriter debuts with a gothic, pop-R&B hybrid that chronicles the cycle of toxic relationships. Drawing influences from the broody minimalism of Lorde and Banks – think moody, downbeat electronica laced with the slick notes of Alt-R&B and topped with ethereal dream-pop – Cage The Animal makes a great introduction to the new artist.
Cage The Animal is available on Spotify and Apple Music.
78. Freedom Fades by Masia One and Alx
Forget those flights and cruises to nowhere – why not take a long stroll to nowhere with rapper Masia One’s latest silky smooth track oozing through your headphones? Together with producer Alx – albeit separated by the Causeway – the “Far East Empress” goes back to her lyrical roots with a lo-fi number that revisits the golden hip-hop era where 90bpm concoctions of rap, jazz, soul and funk dominated the airwaves. The thoughtful lyrics make room for reflection of all sorts including mental health, which is much needed especially in these strange times.
Freedom Fades is available on Spotify and Apple Music.
79. No Safety by Louie Indigo
From the woodwind sample to the heavy beats, Louie Indigo’s brash hip-hop track is an absolute earworm. With the auto-crooning Travis Scott-esque trap rap Scotty2Hotty and the honey-coated R&B Summer Walker-esque banger Free Me in his singles discography, it’s a clear indication that the hip-hop chameleon is versatile af. The latest addition No Safety is straight heat with catchy hooks and fire bars. Plus – in all its ad-libs glory – it can easily pull off as the fraternal twin of Tyga and Offset’s Taste.
No Safety is available on Spotify and Apple Music.
80. Givin It Up by Dru Chen
If Dua Lipa’s sophomore album Future Nostalgia got you ‘levitating’, then rising funk-soul star Dru Chen’s new single will raise you higher. Along with Prince’s guitarist and band member Harts and Dr. Fink, Dru takes you Funkytown with this electropop jam that’s riddled with 00s pool-party electrofunk to 90s nu-disco influences, and an impressive range of vocals from low, sultry croons to high-hitting notes – all delivered with great panache. Together, it makes a funky antidote for any dull day.
Givin It Up is available on Spotify and Apple Music.
81. Solace In My Sleep by shy-c
There are ways to soothe your nerves and combat insomnia. While not entirely, music does help one way or another. And if you need a bedtime lullaby, it’s indie-electronic producer shy-c’s new single. With an apt song title, Solace In My Sleep features a dreamy blend of lo-fi synth-pop beats with acoustic instruments, as well as soft vocals narrating the concept of sleep as a form of escapism. If it’s any consolation, shy-c admits that he only “started to have much better sleep after finishing this track”.
Solace In My Sleep is available on Spotify and Apple Music.
82. Drivin’ Away by Cayenne
You know Celine Autumn as the vocalist of indie trio Sobs, but do you know her as Cayenne? Taking a different route from Sobs, Celine’s new solo route under the moniker Cayenne takes inspiration from the likes of Charli XCX’s avant-pop and AG Cook’s PC music to produce a playful track that’s part dance music, part bubblegum pop, and part indie-rock. Unlike Sobs, Cayenne’s vocals are heavily autotuned, but it works given the video game aesthetics of the track and music video.
Drivin’ Away is available on Spotify and Apple Music.
83. Feel Too Much by Jawn
There’s not much local music featuring the Irish fiddle. But Jawn’s comeback foot-stompin’ tune could easily be slotted into a folk-rock playlist full of Mumford & Sons, The Lumineers, and Of Monsters and Men. Packed with relatable lyrics and folk masculinity, this upbeat single makes up for the singer-songwriter’s five-year hiatus. “I wanted to write something that made both me and the people around me feel good. Call it good aftercare after all the sad stuff, taking responsibility for the feelings and turning it around to something celebratory,” he shares.
Feel Too Much is available on Spotify and Apple Music.
84. Cry by Dominic Chin
This isn’t your average sob song. Instead, the R&B track sounds like a baby-making jam of the late 90s, and early Noughties – or something out of Nick Jonas’ discography (note those gospel-inflected arrangements). Lyrics-wise, it’s breaking social demands, telling the listeners that it’s OK to cry and that doing so isn’t less masculine. “I used the term ‘cry’ as a symbol in the song to represent all the unfair expectations that others place on us. We came into this world crying and yet somehow it has become ‘feminine’ to do so,” he points out. It’s definitely a theme that isn’t typically discussed in Singapore’s mainstream pop music, so big up to Dominic Chin in beautifully delivering it through the power of music.
Cry is available on Spotify and Apple Music.
85. Catch & Release by Tim De Cotta
Got some Jordan Rakei, Tom Misch, or Anderson .Paak spilling through your speakers? Now, add Singapore’s multi-hyphenated artist Tim De Cotta to the mix. His new super chill single Catch & Release hops onto the soul train with the singer-songwriter’s silky smooth vocals, groovy basslines, and a drum sample that emphasises the throwback influence. It comes as part of a trilogy of singles from his upcoming Heart Matter EP, which is his latest project since his 2017 debut Heartstrings EP.
Catch & Release is available on Spotify and Apple Music.
86. Splinter by Myrne (with Salem Ilese)
Sounds like a dream, Splinter is a collaboration between local DJ and producer Myrne, and American Tik Tok sensation Salem Ilese. “[It] started out originally as a song that Salem sent over – it was a downtempo, slow-paced song about being with someone with a bit of an abuse streak. I really liked the idea that she had, and gave the original a bit of a pop-punk lean, whilst keeping to my electronic roots,” Myrne shares with us. It doesn’t matter where you stand on the electronic spectrum, the single has an effortless blend of subgenres from electropop to chill synthwave. Topped with Salem’s delicate vocals, it surfaces as part of the new crop of melodic dream-pop that’s trending nowadays.
Splinter is available on Spotify and Apple Music.
87. For Life by Eve Alai and Senara
Another collaboration you won’t want to sleep on, For Life sees the reunion of local producer-songwriter Eve Alai and Sri Lankan pop darling Senara who joined forces earlier this year for dance floor filler Pills and Potion. There’s no denying that these two have magnetic musical chemistry that our boogie bone can’t resist. The duo’s second dance collaboration shines with Eve’s signature blend of deep house and nu-disco that’s complemented by Senara’s versatile vocal chops, which ebbs and flows through a range of notes.
For Life is available on Spotify.
88. Guilty by Abbey
Internet personality Abbey is redefining herself as a singer-songwriter with her debut original solo track Guilty. Written as part of the Shine Talent Development Programme, the emotive downtempo number amalgamates Abbey’s lush vocals with hints of R&B and producer J.Son’s trademark pop sensibilities. Together with the tension and releases in the arrangement and lyrics of intense feeling, the song manages to evoke a sense of confusion, guilt, and inner conflict that’s relatable to anyone who has experienced unrequited love.
Guilty is available on Spotify.
89. Song for the Underdog by Annette Lee
Multi-hyphenated girl-next-door Annette Lee recently released her second EP early this month. Titled Song For The Underdog, it’s produced by Grammy Award-winning producer Jerricho Scroggins, and hit-maker Colton Price. While the EP is empowering as a whole, the other tracks are overshadowed by the title track which stands out as a pop power anthem for, well, the underdog. The pumping, synth-coated pop cliché is locked and loaded with uplifting lyrics including a chant of “I rule the world with the power inside of me” that builds in momentum before the drop, releasing the enormous energy it needs as a power track.
Song for the Underdog is available on Spotify and Apple Music.
90. If The World Ends Tomorrow by Qastalani
After the 2019 release of his debut EP Hope I’m Not Too Late, emerging singer-songwriter Qastalani is back with more chill vibes. This time in the form of an R&B ballad If The World Ends Tomorrow (seems like there’s a trend centred around time), which is beefier than the previously released, stripped-down tracks but still as mellow and emotive. Here, Qastalani delves deeper into his vocal range while experimenting with kick drums, snares, and hi-hats, as well as the reverb effect on the guitar. If it’s anything to go by, it’s that this up-and-comer has a few surprises up his sleeve.
If The World Ends Tomorrow is available on Spotify and Apple Music.
91. Y Didn’t You Say So by Haneri
Together with its disco-esque cover and opening, Y Didn’t You Say So can be easily mistaken for a Doja Cat cover. While in the same direction towards boogie wonderland, Haneri’s (aka Daphne Khoo) frothy track takes a different turn – away from Doja’s raspy, quick-hitting rap flow. It’s layered with groovy basslines, funky beats, and what sounds like hiccups in the background, all coated in Haneri’s trademark doll-like, nasally vocals. Nonetheless, it’s still a party-startin’ combo of funk, pop and dance that could do with a viral Tik Tok choreo of its own.
Y Didn’t You Say So is available on Spotify and Apple Music.
92. Sickleberry Sunsets by Wovensound
Sickleberry Sunsets is centred by a mesmerising hook that features Shak singing “It’s music to my ears” – and we couldn’t agree more. Taking a page out of Brockhampton and Tyler the Creator’s books, producer Wovensound weaves in elements of lo-fi, jazz and hip-hop to create a track that sounds like a road trip. It takes you on a sonic adventure through various sections of the song, with each artist bringing their own flavour – Ihasamic! with his punchy rap verses, Shak with his arresting, soulful vocals, Andrew Marko with his fiery bars, and Raina Sum with her haunting, minimalist bridge.
Sickleberry Sunsets is available on Spotify and Apple Music.
93. Beautiful Monsters by J.M3
This haunting composition cleverly captures the gothic element of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde, which is, of course, the inspiration for this alt-electro track. It starts as a downtempo affair before propelling into something more upbeat, roping in more production elements – a reflection to show the duality of contrasting and sometimes conflicting sides of a complex individual. With the 3D animated music video by a mystery visual artist in Indonesia, Beautiful Monsters could easily be packaged as a contemporary remix of Coraline.
Beautiful Monsters is available on Spotify and Apple Music.
94. Feeling Like… by Shye
If Alvvays and Japanese Breakfast had a baby and it sounds like a Billie Eilish-Clairo combo, it’d probably be the straightforward bouncy romp of Feeling Like… Unlike her previous releases, bedroom pop darling Shye speeds things up in this upbeat track about waking on the wrong side of the bed. But it’s just as good. It’s got everything you could want in an indie-pop tune – jangling guitars, surf-pop riffs, catchy hooks, and reverb-drenched, whisper-pop vocals.
Feeling Like… is available on Spotify.
95. You Are The Song by Chasing Daylight
If danceable indie tunes à la Two Door Cinema Club and The Wombats get both of your two left feet moving, the rest of your limbs will follow with Chasing Daylight’s latest release from its two-year hiatus. The energetic, self-love anthem marks the alternative-rock outfit’s skew towards indie-pop, with all the genre’s usual suspects – bright synths, catchy guitar riffs, and a power pop-rock beat with a strong emphasis on the kicks and snares. Along with the feel-good track, the band also hopes to raise awareness on emotional and mental health, especially among the youths, by teaming up with more social service organisations. You can catch its interviews and more on its social media pages.
You Are The Song is available on Spotify and Apple Music.
96. Don’t Say It by Sarah X. Miracle
It’s hard not to mention how Sarah X. Miracle’s soulful colouring of her dark, smoky tone à la Sade gravitates you towards the songstress’ debut single every time you hit replay. A magnetic combo of pop-driven beats and R&B-fuelled notes girded by a Dua Lipa-esque timbre and topped with celestial falsettos, the assertive track embodies a fresh expression of female empowerment. It’s a push to confront the discomfort without ghosting – something that should be championed in the art of dating.
Don’t Say It is available on Spotify and Apple Music.
97. Good Friend by Keat
Roll out the disco ball for the first dancefloor filler off Keat’s debut EP I Was Dumb But Now I’m Woke. The main groove is a synth-drenched composition that’s accentuated with refreshing string arpeggios – reminiscent of Abba’s Gimme! Gimme! Gimme! or Clean Bandit’s Rather Be, depending on where you stand on the boogie banger spectrum. Nonetheless, the electro-pop wizard, together with music producer Zionn, managed to nail the dance anthem combo that’s equally nostalgic and modern.
Good Friend is available on Spotify and Apple Music.
98. Miss Me by Sebastian Rhodes Featuring Ysa Yaneza
Video game music has evolved from its 8-bit origin, and this glitchy yet sparkly pop bop sounds like the national anthem of a whimsical cyberworld – think Fall Guys: Ultimate Knockout or Animal Crossing: New Horizons. The eclectic pairing of Australian artist Sebastian Rhodes and Filipina-Singaporean songbird Ysa Yaneza works in this PC-inspired jam that name drops exes. Name one Taylor Swift song that name drops her ex – and no, Style does not count. We’ll wait.
Miss Me is available on Spotify.
99. Loved Again by Vivien Yap
The new guitar-pickin’ good single by singer-songwriter, poet, and mental health advocate Vivien Yap sounds like a sonic love letter that’s signed, sealed, and delivered during a rainy lockdown day (note that raindrop sound in the second verse). The bedroom soft-pop is as intimate as it can be, ticking all the boxes including plum-sweet vocals, imagery-filled lyrics, and super lush instrumentation. It’s the perfect lullaby to soundtrack your rom-com fantasies starring your new crush or long-time boo.
Loved Again is available on Spotify and Apple Music.
100. Long Way From Home by Toby Madox
Together with a rebrand (previously known as Miguel Antonio) and profound lyrics, the synth-heavy brainchild of Toby Madox and LA-based songwriter Vince Nantes (one of the penners behind BTS’s Black Swan) makes a great introduction to the 19-year-old pop wunderkind’s mature side, evolved from his child star days which include being the youngest performer at the F1 Singapore Grand Prix in 2014. But don’t expect an avant-garde tour de force, the fail-safe pop tune is definitely one for the mainstream play that’ll hit a home run for Gen-Z fans of Liam Payne, Lauv, and Ruel.
Long Way From Home is available on Spotify and Apple Music.
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Currently playing
1. Tetris by Jasmine Sokko
The devil works hard but Jasmine Sokko’s manager works harder. The MTV EMA-winning singer-songwriter-producer triple threat is the first Singaporean artist to be featured on Spotify’s Equal playlist cover and the New York Times Square outdoor billboard. Spotlighting Singapore on the global stage, Jasmine is back with a soft, futuristic electro-pop single Tetris, another preview of her upcoming EP which is slated for a September 2021 release. Inspired by the tile-matching video game of the same name, the single radiates with the singer’s dulcet tones, brilliant synths, and four-to-the-floor rhythm patterns.
About the song, she shares: “The song is a celebration of the eccentrics, the outliers and the mavericks who are unapologetically themselves in a society that often craves for assurance, acceptance and attention.”
2. Fantasy by Dnl. featuring Axel Brizzy
Joining forces with rapper Axel Brizzy, multi-hyphenated artist Dnl. translates his wishful thinking into a buttery summer bop titled Fantasy. The single is one of the many creations in the works that are set to be rolled out later this year, and features Dnl.’s triplet flow over a euphonic combo of bass-heavy loops and shimmering synths. Axel’s solid bars push the mellow track even further by toying with pop references, rhyme patterns and speed. It mirrors the highs of euphoric fantasy. And as Dnl. puts it – it’s “a piece that would resonate with any hopeless romantic soul out there.”
3. I Swore I’d Stop Writing About You by Jaime Wong
After a six-year hiatus, singer-songwriter Jaime Wong returns with a new bass-driven single which is taken off her forthcoming EP. A bold departure from the theme of her debut self-titled EP, I Swore I’d Stop Writing About You experiments with different sounds and textures (read: bass, reverb and distortion) while retaining her DNA of warm, folk-esque vocals and acoustic guitars. The break-up song doesn’t just wallow in heartbreak, but instead, accepts and sees things the way they are. It also reflects Jaime’s mental conflict of constantly writing about the same old, same old.
“It came to a point that I completely stopped writing songs just to avoid that repetition process. Eventually, I stopped thinking and decided to write whatever that came to mind. By doing this, I truly managed to stop writing about the same things over and over again, and this is reflected in the new music I will be releasing as part of the new EP.” Jaime shares.
4. You Like The Chase by Marian Carmel
The perfect song to waltz solo around your bedroom, Marian Carmel’s latest soulful jam touches on the complexities of relationships and heartbreaks. Complete with the singer-songwriter’s ethereal vocals, You Like The Chase juxtaposes the light, airy front with a darker, inflamed undertone. Instead of the pensive sadness that’s peppered in her previous melancholic tracks, the single reveals Marian’s playful and sarcastic side – listen out for her subtle giggles and snide comments.
As the cherry on top, Marian has also rolled out the #WhereDoIBegin challenge on TikTok, where the opening lyrics “Boy oh boy, where do I even begin?” doubles as the punchline for the skit-formatted challenge. You Like The Chase is also one of the singles leading up to her debut concept album that’s slated to be out later this year.
5. Waiting for a Change by QYO
There’s something special about listening to an empowering song full of hope on Pink Dot’s recent livestream. QYO’s live performance of her emotive debut single Waiting for a Change isn’t only fitting for the LGBTQ-affirming event but also pushes us to strive for the change needed to make Singapore a more inclusive nation. The local singer-songwriter and multi-instrumentalist shares that the song “symbolises the changes and challenges that people [herself included] have gone through in life, and how change is best embraced with optimism.”
